DAVID HILEY - CAREER AND PUBLICATIONS

Career

* Born 5 September 1947 in Littleborough, Lancashire, England
* Educated at Windermere Grammar School 1958-1965
* Music Demy at Magdalen College, Oxford, 1965-1968
* Music master Eton College 1968-1973
* Postgraduate study in musicology at University of London, King's College,
  1973-1975. Doctorate 1981
* Writer and editor for The New Grove Dictionary 1975-1976
* Lecturer in music at Royal Holloway College, University of London 1976-1986
* Professor in Musicology, Institut für Musikwissenschaft, Universität Regensburg    since 1986

Other positions held

* Secretary of the Plainsong & Mediaeval Music Society 1982-1986
* Editor of Journal of the Plainsong & Mediaeval Music Society 1978-1990
* Elected honorary Vice-President of the Plainsong & Mediaeval Music Society 1996
* Chairman of the Study Group 'Cantus Planus' of the International Musicological Society 1988-97
* Co-editor of Monumenta Monodica Medii Aevi since 1991
* Elected member of Academia Europaea 1998
* Elected Corresponding Member of the American Musicological Society 2002
 

Publications

The liturgical music of Norman Sicily: a study centred on manuscripts 288, 289, 19421 and Vitrina 20-4 of the Biblioteca Nacional, Madrid (Ph.D. dissertation, University of London King's College, 1981; British Theses D70780/82) [Customer Services, The British Library, Document Supply Centre, Boston Spa, Wetherby, West Yorkshire LS23 7BQ, England; e-mail: dsc-customer-services@bl.uk; http://www.bl.uk/britishthesis/ 'The Norman chant traditions - Normandy, Britain, Sicily', Proceedings of the Royal Musical Association 107 (1980-81), 1-33

[with Julian Brown and Sonia Patterson] 'Further observations on W1', Journal of the Plainsong & Mediaeval Music Society 4 (1981), 53-80

'Some observations on the interrelationships between trope repertories', Research on Tropes, ed. Gunilla Iversen, Kungl. Vitterhets Historie och Antikvitets Akademiens, Konferenser 8 (Stockholm 1982), 29-37

'Quanto c'è di normanno nei tropari siculo-normanni?', Rivista Italiana di Musicologia 18 (1983), 3-28

'The plica and liquescence', Gordon Athol Anderson (1929-1981) In Memoriam, Musicological Studies 49 (Henryville-Ottawa-Binningen 1984), 379-391

'Thurstan of Caen and plainchant at Glastonbury: musicological reflections on the Norman conquest', Proceedings of the British Academy 72 (1986), 57-90

'Ordinary of mass chants in English, North French and Sicilian manuscripts', Journal of the Plainsong & Mediaeval Music Society 9 (1986), 1-128

'The rhymed sequence in England - a preliminary survey', Musicologie médiévale. Notations et séquences. Actes de la table ronde du C.N.R.S. à l'Institut de Recherche et d'Histoire des Textes 6-7 septembre 1982, ed. Michel Huglo (Paris 1987), 227-246

'Recent research on the origins of Western chant', Early Music 16 (1988), 203-213

'The chant of Norman Sicily. Interaction between the Italian and Norman traditions', Studia Musicologica Academiae Scientiarum Hungaricae 30 (1988), 379-391; also published in Atti del XIV Congresso della Società Internazionale de Musicologia: Transmissione e recezione delle forme di cultura musicale, ed. Angelo Pompilio, Donatella Restani, Lorenzo Bianconi and F. Alberto Gallo (Torino 1990), II: Study Sessions, 92-105

'Rouen, Bibliothèque Municipale, MS 249 (A.280) and the early Paris repertory of ordinary of mass chants and sequences', Music & Letters 70 (1989), 467-482

'Observations on the derivation of two early repertories of polyphony', Le polifonie primitive in Friuli ed in Europa. Atti del congresso internazionale Cividale del Friuli, 22-24 agosto 1980, ed. Cesare Corsi and Pierluigi Petrobelli (Rome 1989), 377-391

'Chant', Performance Practice, ed. Howard Mayer Brown and Stanley Sadie, vol. 1, Music before 1600 (London 1989), 37-54

The New Oxford History of Music, 2nd Edition. Volume 2: The Early Middle Ages to 1300, edited by Richard L. Crocker and David Hiley (Oxford and New York 1990)

'Editing the Winchester sequence repertory of ca.1000', Cantus Planus [International Musicological Society Study Group Cantus Planus]. Papers read at the Third Meeting, Tihany, Hungary, 19-24 September 1988, ed. László Dobszay, Péter Halász, János Mezei and Gábor Prószéky (Budapest 1990), 99-113

'Cluny, sequences and tropes', La tradizione dei tropi liturgici, ed. Claudio Leonardi and Enrico Menestò (Spoleto 1990), 125-138

'Plainchant transfigured: innovation and reformation through the ages', Man & Music, I: Antiquity and the Middle Ages, from Ancient Greece to the 15th century , ed. James McKinnon (London 1990), 120-142

Peter Allan, Mary Berry, David Hiley, Pamela C.S.J.B. and Ernst Warrell, ed.: An English Kyriale: Music for the Eucharist (Mirfield and London 1991)

'The sequentiary of Chartres, Bibliothèque Municipale, Ms. 47', La sequenza medievale. Atti del Convegno Internazionale Milano 7-8 aprile 1984, ed. Agostino Ziino (Lucca 1992), 105-117

Missale Carnotense (Chartres Codex 520), Monumenta Monodica Medii Aevi IV (Kassel, etc., 1992)

'Some observations on the repertory of tropes at St Emmeram, Regensburg', Cantus Planus [International Musicological Society Study Group Cantus Planus]. Papers read at the Fourth Meeting, Pécs, Hungary, 3-8 September 1990, ed. László Dobszay, Ágnes Papp and Ferenc Seb (Budapest 1992), 337-357

'Two unnoticed pieces of medieval polyphony', Plainsong and Medieval Music 1/2 (1992), 167-173

Western Plainchant: a Handbook (Oxford: Oxford University Press, 1993) ISBN 0-19-816289-8

Music in the Medieval English Liturgy: Plainsong & Mediaeval Music Society Centennial Essays, ed. Susan Rankin and David Hiley (Oxford 1993)

'The Plainsong & Mediaeval Music Society, 1888-1988', Music in the Medieval English Liturgy: Plainsong & Mediaeval Music Society Centennial Essays, ed. Susan Rankin and David Hiley (Oxford 1993), 1-7

'Post-Pentecost alleluias in medieval British liturgies', Music in the Medieval English Liturgy: Plainsong & Mediaeval Music Society Centennial Essays, ed. Susan Rankin and David Hiley (Oxford 1993), 145-174

'Provins Bibliothèque municipale 12 (24), a 13th-century gradual with tropes from Chartres cathedral', Recherches nouvelles sur les tropes liturgiques, ed. Wulf Arlt and Gunilla Björkvall, Studia Latina Stockholmiensia 36, Corpus Troporum [ = Huglo Festschrift 1993] (Stockholm 1993), 239-269

'The sequence melodies sung at Cluny and elsewhere', De musica et cantu. Studien zur Geschichte der Kirchenmusik und der Oper. Helmut Hucke zum 60. Geburtstag, hrsg. v. Peter Cahn und Ann-Katrin Heimer, Musikwissenschaftliche Publikationen. Hochschule für Musik und Darstellende Kunst Frankfurt/Main (Hildesheim 1993), 131-155

'Changes in English chant repertories in the eleventh century as reflected in the Winchester sequences', Anglo-Norman Studies 16: Proceedings of the Battle Conference 1993 (Woodbridge 1994), 137-154

'Chant composition at Canterbury after the Norman Conquest', Max Lütolf zum 60. Geburtstag. Festschrift, ed. Bernhard Hangartner and Urs Fischer (Basel 1994), 31-46

Musicologia Humana: Studies in Honor of Warren and Ursula Kirkendale, ed. Siegfried Gmeinwieser, David Hiley and Jörg Riedlbauer (Florence 1994)

'The Regensburg offices for St Emmeram, St Wolfgang and St Denis', Musica Antiqua X. 10th International Musicological Congress "Musica Antiqua Europae Orientalis" Bydgoszcz, September 7th-11th 1994 (Bydgoszcz 1994), 299-312

Oxford Bodleian Library MS. Lat. liturg. b. 5, Veröffentlichungen mittelalterlicher Musikhandschriften / Publications of Mediaeval Musical Manuscripts 20 (Ottawa 1995) ISBN 0-931902-93-2

'The repertory of sequences at Winchester', Essays on Medieval Music in Honor of David G. Hughes, ed. Graeme M. Boone, Isham Library Papers 4 (Cambridge MA 1995), 153-193

Laborare fratres in unum. Festschrift László Dobszay zum 60. Geburtstag, ed. Janka Szendrei and David Hiley, Spolia Berolinensia. Berliner Beiträge zur Mediävistik, Bd. 7 (Hildesheim u. Zürich: Weidmannsche Verlagsbuchhandlung, 1995) ISSN 0931-4040, ISBN 3-615-00170-0

'What St Dunstan heard the angels sing: notes on a pre-Conquest historia', Laborare fratres in unum. Festschrift László Dobszay zum 60. Geburtstag, ed. Janka Szendrei and David Hiley (Hildesheim 1995), 105-115

'The English Benedictine version of the Historia Sancti Gregorii and the date of the 'Winchester Troper' (Cambridge, Corpus Christi College, 473)', International Musicological Society Study Group Cantus Planus. Papers Read at the Seventh Meeting, Sopron, 1995, ed. László Dobszay (Budapest 1998), 287-303

'Musik im mittelalterlichen Regensburg', Regensburg im Mittelalter. Bd. 1. Beiträge zur Stadtgeschichte vom frühen Mittelalter bis zum Beginn der Neuzeit, ed. Martin Angerer and Heinrich Wanderwitz (Regensburg 1995), 311-322

Moosburger Graduale. München, Universitätsbibliothek, 2° Cod. ms. 156, Veröffentlichungen der Gesellschaft für Bayerische Musikgeschichte (Tutzing: Hans Schneider Verlag, 1996) ISBN 3-7952-0845-9

Historia Sancti Emmerammi Arnoldi Vohburgensis circa 1030, Wissenschaftliche Abhandlungen/Musicological Studies LXV/2 (Ottawa 1996)

'Writings on Western plainchant in the 1980s and 1990s', Acta musicologica 69 (1997), 53-93
'Arnold von St. Emmeram - Komponist der "Historia Sancti Emmerammi"', Berühmte Regensburger. Lebensbilder aus zwei Jahrtausenden, ed. Karlheinz Dietz and Gerhard H. Waldherr (Regensburg 1997), 35-42

'Der Gregorianische Gesang bei den Kartäusern und im Kloster Prüll', 1000 Jahre Kultur in Karthaus-Prüll. Geschichte und Forschung vor den Toren Regensburgs. Festschrift zum Jubiläum des ehemaligen Klosters (Regensburg 1997), 236-243

'The Office of the Transfiguration by Peter the Venerable, Abbot of Cluny (1122-1156) in the manuscript Paris, Bibliothèque Nationale de France, fonds latin 17716', Chant and its Peripheries. Essays in Honour of Terence Bailey, ed. Bryan Gillingham and Paul Merkley, Wissenschaftliche Abhandlungen/Musicological Studies 72 (Ottawa 1998), 224-240

'Die Gesänge des Offiziums in Festivitate Sanctorum Septem Fratrum in der Ottobeurer Handschrift München, Bayerische Staatsbibliothek, Clm 9921, um 1150', Artes liberales. Karlheinz Schlager zum 60. Geburtstag, ed. Marcel Dobberstein (Tutzing 1998), 13-35

'Vom Codex zur CD. Die Historia Sancti Emmerammi zwischen Mittelalter und Neuzeit', Blick in die Wissenschaft 10 (1998), 52-63

Oxford, Bodleian Library MS. e Mus. 126 (The York Processional), Veröffentlichungen mittelalterlicher Musikhandschriften / Publications of Mediaeval Musical Manuscripts 23 (Ottawa 1998)

Die Offizien des Mittelalters. Dichtung und Musik, ed. Walter Berschin and David Hiley, Regensburger Studien zur Musikgeschichte 1 (Tutzing 1999)

'Das Wolfgang-Offizium des Hermannus Contractus - Zum Wechselspiel von Modustheorie und Gesangspraxis in der Mitte des XI. Jahrhunderts', Die Offizien des Mittelalters. Dichtung und Musik, ed. Walter Berschin and David Hiley, Regensburger Studien zur Musikgeschichte 1 (Tutzing 1999), 129-142

'Quae pia, quae religiosa, quae recta'. Über die Vielfalt mittelalterlicher Gesangstraditionen, dargestellt am Beispiel der Choralhandschriften aus Neresheim, Obermarchtal und Regensburg', Choralhandschriften in Regensburger Bibliotheken. Katalog zur Ausstellung in der Bischöflichen Zentralbibliothek Regensburg ... 1999, ed. Raymond Dittrich (Regensburg 1999), 10-24

'Exulta civitas Ratispona. Regensburg, seine Heiligen und ihr Choral. Schritte musikhistorischer Annäherung', Ratisbona -- Die königliche Stadt, ed. Martin Angerer, Regensburger Studien und Quellen zur Kulturgeschichte 9 (Regensburg 2000), 29-31

'Das Chorbuch Regensburg, Staatliche Bibliothek, 2° Liturg. 18 aus dem Jahre 1543: Chorbuch S im Kapell-Inventar des Pfalzgrafen Ottheinrich, 1544', Musik in Bayern 59 (2000), 11-52

'The Historia of St. Julian of Le Mans by Letald of Micy: some comments and questions about a North French office of the early eleventh century', The Divine Office in the Latin Middle Ages. Methodology and Source Studies, Regional Developments, Hagiography. Written in Honor of Professor Ruth Steiner, ed. Margot E. Fassler and Rebecca A. Baltzer (Oxford 2000), 444-462

Das Repertoire der normanno-sizilischen Tropare I: Die Sequenzen, Monumenta Monodica Medii Aevi 13 (Kassel 2001)

'The music of prose offices in honour of English saints', Plainsong and Medieval Music 10 (2001), 23-37

Graduale Alderspacense. Colour Microfiche Edition of the Manuscript München, Bayerische Staatsbibliothek, Clm 2541/2542, Codices illuminati medii aevi 61 (Munich 2001)

Hermannus Contractus (1013-1054): Historia Sancti Wolfgangi Episcopi Ratisbonensis, Wissenschaftliche Abhandlungen/Musicological Studies 65/7 (Ottawa 2002)

'Style and structure in early offices of the Sanctorale', Western Plainchant in the First Millenium: Studies in the Medieval Liturgy and its Music: written in honor of James McKinnon, ed. Sean Gallagher, James Haar, John Nádas and Timothy Striplin (Aldershot 2003), 157-179

'Regensburg, Solesmes und die Regensburger Tradition. Reform und kein Ende', Das Motuproprio Pius X. zur Kirchenmusik "Tra le sollecitudini dell'officio pastorale" (1903) und die Regensburger Tradition. Katalog zur Ausstellung in der Bischöflichen Zentralbibliothek Regensburg ... 10. November bis 23. Dezember 2003 (Regensburg 2003), 30-40

'Chora gregorianski i neogregorianski. Zmiany stylistyczne w spiewach oficjów ku czci sredniowiecznych swietych [Gregorian and neo-gregorian chant. Changes of style in office chants for medieval patron saints]', Muzyka 48 (2003), 3-16

'Early cycles of office chants for the feast of Mary Magdalene', Music and Medieval Manuscripts, Paleography and Performance. Essays dedicated to Andrew Hughes, ed. John Haines and Randall Rosenfeld (Aldershot 2004), 369-399

'Zur englischen Hymnen-Überlieferung', Der lateinische Hymnus im Mittelalter. Überlieferung - Ästhetik - Ausstrahlung, ed. Andreas Haug, Christoph März and Lorenz Welker, Monumenta Monodica Medii Aevi, Subsidia IV (Kassel 2004), 199-214

'Die Afra-Gesänge des Hermannus Contractus. Liturgische Melodien und die Harmonie des Universums', Hl. Afra. Eine frühchristliche Märtyrerin in Geschichte, Kunst und Kult, Jahrbuch des Verein für Augsburger Bistumsgeschichte 38, Ausstellungskatalog des Diözesanmuseum St. Afra, ed. Manfred Weitlauff and Melanie Thierbach (Augsburg 2004), 112-119

David Hiley and Walter Berschin: Hermannus Contractus (1013-1054): Historia sanctae Afrae martyris Augustensis, Wissenschaftliche Abhandlungen / Musicological Studies LXV/10 (Ottawa 2004)

Die Erschließung der Quellen des mittelalterlichen liturgischen Gesangs, ed. David Hiley, Wolfenbütteler Mittelalter-Studien 18 (Wiesbaden 2004)

'The Offices Sung in San Marco, Venice. Stylistic Layers in Plainchant for Local Saints', Sine musica nulla disciplina... Studi in Onore di Giulio Cattin, ed. Franco Bernabei and Antonio Lovato (Padova 2006), 123-136

'Die Offiziumsgesänge für den hl. Bonifatius', Beiträge zur Gregorianik 41-42 (2006), Johannes Berchmans Göschl zum 65. Geburtstag, 127-136

'Geistliche Verbindungswege. Die Kult(ur)landschaft Regensburgs im Licht der Ordinarien und Prozessionarien', Musikgeschichte Regensburgs, ed. Thomas Emmerig (Regensburg 2006), 3-29

'Am Rande des Modernen. Geistliche Mehrstimmigkeit', Musikgeschichte Regensburgs, ed. Thomas Emmerig (Regensburg 2006), 30-44

'Musik denken und Choral lehren. Musiktheorie von den Anfängen bis ca. 1500', Musikgeschichte Regensburgs, ed. Thomas Emmerig (Regensburg 2006), 60-71

Echo. Studien zur Kunstgeschichte und Musikwissenschaft zum Gedenken an Helmut Schwämmlein, ed. David Hiley and Gosbert Schüßler (Regensburg 2006)

'Die liturgischen Gesänge zu Ehren Regensburger Heiligen in den Handschriften Ch. 45 und Ch. 44 der Bischöflichen Zentralbibliothek Regensburg', Echo. Studien zur Kunstgeschichte und Musikwissenschaft zum Gedenken an Helmut Schwämmlein, ed. David Hiley and Gosbert Schüßler (Regensburg 2006), 63-77

'The English background to the Nidaros sequences', The Sequences of Nidaros. A Nordic Repertory and its European Context, ed. Lori Kruckenberg and Andreas Haug (Trondheim 2006), 63-117

' "Cantate Domino canticum novum": old and new in medieval chant and the status of St Gregory, Musica e storia 14/1 (2006), 127-141

'The Historia Sancti Magni by Hermannus Contractus (1013-1054)', Music in Medieval Europe: Studies in Honour of Bryan Gillingham, ed. Terence Bailey and Alma Santosuosso (Aldershot 2007). 367-392

'Der Gregorianische Choral im mittelalterlichen Regensburg: Forschungsbilanz und Perspektiven', Regensburg im Spätmittelalter, ed. Peter Schmid (Regensburg 2007), 233-242

Ars Musica - Musica Sacra, Regensburger Studien zur Musikgeschichte 4 (Tutzing 2007)

David Hiley and Janka Szendrei: 'Ein wenig bekanntes Graduale mit Sequenziar aus St. Emmeram, Regensburg: Handschrift 109 (olim 1056) der Stiftsbibliothek Melk (14.-15. Jhdt.)', Ars Musica - Musica Sacra, ed. David Hiley, Regensburger Studien zur Musikgeschichte 4 (Tutzing 2007), 99-126

'The office chants for St Oswald King of Northumbria and Martyr', A Due. Musical Essays in Honour of John D. Bergsagel and Heinrich Schwab, ed. Ole Kongsted, Niels Krabbe, Michael Kube and Morten Michelsen (Copenhagen 2008), 244-259

David Hiley and Gábor Kiss, ed.: Dies est leticie. Essays on Chant in Honour of Janka Szendrei, Wissenschaftliche Abhandlungen / Musicological Studies 90 (Ottawa 2008)

'Cycles of chants (historiae) in honour of the saints of St. Gall', Dies est leticie. Essays on Chant in Honour of Janka Szendrei, ed. David Hiley and Gábor Kiss, Wissenschaftliche Abhandlungen / Musicological Studies 90 (Ottawa 2008), 277-294