Dr. Gabriele Taschetti

Vita

Gabriele Taschetti studied musicology at the University of Padua, where he obtained his Ph.D. in June 2023 with a dissertation on the motet anthology Symbolae diversorum musicorum (Venice, 1621). He is involved in the edition of the complete works of Tomaso Cecchini and Giovanni Battista Riccio (member of the scientific committee). Taschetti's academic portfolio encompasses publications on musical patronage, contrafacta, incomplete music, historical inventories of musical editions, sixteenth-century madrigals, Giuseppe Tartini, and digital tools for music analysis.

He has contributed to projects including ITMI (Indici della Trattatistica Musicale Italiana) and CRIM (Citations: the Renaissance Imitation Mass). He conducted seminars at the Haute École de Musique in Geneva (2021) and the Pontifical Ambrosian Institute of Sacred Music in Milan (2023).

Currently, he is conducting the DAAD-funded project "Incomplete musical treasures at the Bischöfliche Zentralbibliothek in Regensburg," hosted by the University of Regensburg. Taschetti also holds a composition diploma, and some of his works received international recognition (ICCC Japan 2019).

Veröffentlichungen

Editionen

• Chiara Comparin and Gabriele Taschetti (eds.), Giovanni Battista Riccio. Il secondo libro delle divine lodi (Venice, 1614) (= Giovanni Battista Riccio Opera Omnia 2), Krakow: Musica Iagellonica, 2022. Online-Publikation

• Gabriele Taschetti (ed.), Tomaso Cecchini, Psalmi, missa, et alia cantica quinque vocibus (Venezia, 1619) (= Tomaso Cecchini Opera Omnia 6), Zagreb: MIC, 2019.

Herausgeberschaft

• Gabriele Taschetti (ed.), Giuseppe Tartini: Fundamental Questions (= Giuseppe Tartini and the Musical Culture of the Enlightenment 1), Berlin: Peter Lang, 2022.

• Veronica Gallo, Marta Previti, Clelia Sbrolli, Gabriele Taschetti and Luca Zamparo (eds.), Storie interrotte. Riconoscere e valorizzare il patrimonio dimenticato, Padua: Padova University Press, 2022. Online-Publikation

• Marina Toffetti and Gabriele Taschetti (eds.), Contrafacta. Modes of Music Re-textualization in the Late Sixteenth and Seventeenth Century, Krakow: Musica Iagellonica, 2020. Online-Publikation

Artikel in Zeitschriften

• Gabriele Taschetti, Music for Tarquinia Molza rediscovered, in: De musica disserenda 19 (2023) (in print).

• Gabriele Taschetti, «Libri musicales domini Camilli Brixiensis». La collezione perduta di Camillo da Brescia CRL del Convento di San Bartolomeo a Lodi (ca. 1600), in: L’organo 53 (2021) (in print).

Artikel in Sammelbänden

• Gabriele Taschetti, Motets on the Song of Songs in the collection ‘Symbolae diversorum musicorum’ (Venice, 1621) edited by Lorenzo Calvi, in: Camilla Caporicci (ed.), The Song of Songs in European Poetry (12th–17th Centuries). Translations, Appropriations, Rewritings (= The Medieval Translator 24), Turnhout: Brepols, 2024 (in print).

• Gabriele Taschetti, Claudio Monteverdi, Pietro Bembo e il computer. Appunti per un’analisi digitale del Secondo libro de madrigali, in: Cristina Cassia (ed.), Musica e cultura nella Padova di Pietro Bembo (= Studi e saggi 57), Lucca: LIM, 2023, pp. 39-65. Online-Publikation

• Gabriele Taschetti, Giuseppe Martucci, Cesare Pollini, Oreste Ravanello and the Destiny of Tartini’s Paduan Manuscripts, in: Gabriele Taschetti (ed.), Giuseppe Tartini: Fundamental Questions (= Giuseppe Tartini and the Musical Culture of the Enlightenment 1), Berlin: Peter Lang, 2022, pp. 203-222.

• Gabriele Taschetti, Valorizzare un’opera incompleta. Il caso dei Motetti concertati a due voci di Tomaso Cecchini (Venezia, 1613), in Veronica Gallo, Marta Previti, Clelia Sbrolli, Gabriele Taschetti and Luca Zamparo (eds.), Storie interrotte. Riconoscere e valorizzare il patrimonio dimenticato, Padua: Padova University Press, 2022, pp. 119–127. Online-Publikation

• Gabriele Taschetti, New insights into Tomaso Cecchini’s motet production prior to 1620, in: Ennio Stipčević, Vito Balic and Vincent Besson (eds.), Venice, Schiavoni and the Dissemination of Early Modern Music: A Companion to Ivan Lukačić (= Épitome musical), Turnhout: Brepols, 2022, pp. 135-154.

• Gabriele Taschetti, Marcantonio De Dominis: a patron manqué for Tomaso Cecchini?, in: Galliano Ciliberti (ed.), Music Patronage in Italy (= Speculum Musicae), Turnhout: Brepols, 2021, pp. 147–164.

• Gabriele Taschetti, L’op. 14 di Tomaso Cecchini (1619) tra Dalmazia veneziana e Ungheria reale, in: Antonela Marić and Ivana Tomić Ferić (eds.), Između Srednje Europe i Mediterana: glazba, književnost i izvedbene umjetnosti / Between Central Europe and the Mediterranean: Music, literary and performing arts in Central-European and Mediterranean context, Split: Umjetnička akademija u Splitu – Filozofski fakultet u Splitu, 2021, pp. 103-118. Online-Publikation

• Gabriele Taschetti, Printed collections including contrafacta (1646-1649), in: Marina Toffetti and Gabriele Taschetti (eds.), Contrafacta. Modes of Music Re-textualization in the Late Sixteenth and Seventeenth Century, Krakow: Musica Iagellonica, 2020, pp. 325-332. Online-Publikation

• Gabriele Taschetti, Due innari wesleyani a Padova nel secondo Ottocento: prospettive per un’analisi storica e musicologica, in: Vincenzo Vozza (ed.), La Chiesa Evangelica Metodista di Padova. Appunti di storia nel 150° anniversario della sua fondazione, Padua: Cleup, 2017, pp. 237-253.